Yan Yue finds herself in a novel titled “The Strongest Scriptwriter,” set in an interstellar backdrop where everyone stays home and binge-watches shows, featuring an entertainment industry heroine wrapped in an interstellar theme.

The original character Yan Yue inhabits is not the heroine; she is the contrast to the heroine. If the heroine is a gifted scriptwriter, the original character is an airhead. Later on, due to plagiarizing the heroine’s work, the original character faces backlash from the interstellar citizens. She even ends up in interstellar court and eventually takes her own life.

After reflecting on the original character’s life, Yan Yue thinks, “Isn’t this just about writing scripts? I’m familiar with that.”

So, having traversed 999 ancient Mary Sue worlds, Yan Yue starts writing stories like “The Temptation of Returning to Interstellar: White Moonlight Stand-In’s Counterattack” and “After Running Away from Marriage 9999 Times, I Married the Interstellar Tycoon’s Father,” and the day after, she writes “The Mother of Ten Precious Children Turns Out to Be Him, the Mecha War God!”

At first, when Star Netizens see these tacky, melodramatic titles associated with interstellar broadcasts, they complain: “Why is even this trash paired with interstellar themes? Yan Yue, get out of the scriptwriting realm!”

But after watching the first episode, their reactions change: “What the heck? The sister-in-law is the male lead’s white moonlight stand-in? The male lead’s arranged marriage wife is actually the male lead’s secret crush for years? Wait, wait! The white moonlight stand-in and the white moonlight are twin sisters? No wonder they look so alike!! What the hell is this?! So melodramatic, I want to watch more! Give me the next episode now!”

Yan Yue assures them and quickly churns out thousands of scripts for cheesy dramas like “Punch the Certain Building” and “Kick the Certain Thai Guy.”

However, everyone soon realizes:

Why does the wrongly accused male lead from “The Temptation of Returning to Interstellar” look so much like the newly appointed young marshal from the neighboring star?

And why does the runaway bride from “After Running Away from Marriage 9999 Times” resemble the trashy star’s nouveau riche new wife?

And furthermore! Does the male mother of ten in “The Mother of Ten Precious Children” resemble our planet’s war god???

Yan Yue: ??? Can someone explain why the worlds she experienced through fast-transmigration merged with this star’s setting???

Yan Yue: Don’t ask, all these melodramatic stories are like this. Haven’t you seen the huge words at the beginning of each show before it airs?
[“All characters and events are fictional. Any resemblance to actual persons or events is purely coincidental.”]

Until one day, the war god from that other star shows up at her door with his ten children, and all the kids chant in unison, “Mommy, mommy!”

Yan Yue: I messed up! I forgot that the trashy woman who betrayed the war god in “The Mother of Ten Precious Children” was herself…

#About Me Writing Cheesy Dramas in Interstellar and Getting Popular#
#About How I Loved Watching Melodramas as a Kid and Still Do as an Adult#
[“It’s just a brainless escapist story in melodramatic scripts! Really!”]
[“Plotline to Romance Ratio: 7:3”]
[“Not a GB story! Not a GB story!”]
Tags: Interstellar, Transmigration, Escapist Fiction, Live Broadcast
Protagonist: Yan Yue
One-line Summary: I loved melodramas at three, and I still do in my twenties.
Theme: Strive to live life in one’s own way.

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